Death Cab For Cutie
Codes & Keys
It's been a slow, diligent ascent to success, but with Codes and Keys, Death Cab for Cutie may finally repeat their homeland chart success and become the latest American indie outfit to follow The National into British hearts.
The album is the seventh of a career fast closing in on a decade and a half, and it's all the better for the experience thus accrued: there's an ease and comfort about the songs that suggests they fell into place naturally, rather than suffering endless alterations; and the band seem content to let them breathe and take on a life of their own, rather than freight them with unnecessary adornment.
For all its naturalness, the most immediately striking aspect of the album is the change in the band's approach, with guitars supplanted by keyboards, both in the foregrounded piano grooves that carry songs such as "Some Boys" and the title-track, and in the textures that bring depth to them. On "Codes and Keys", the rolling piano is draped with slurred smears of strings, while the pounding groove of "Some Boys" gains urgency through the panting breaths accompanying the rhythm. Only with the fourth track, "Doors Unlocked and Open", does guitar start to make a decisive contribution, with a spangly figure riding its Neu!-beat motorik groove; before arpeggiated chords and corkscrew lead guitar figures hoist the single "You Are a Tourist" to greater heights.
Tracklist
01 Home Is A Fire
02 Codes And Keys
03 Some Boys
04 Doors Unlocked And Open
05 You Are A Tourist
06 Unobstructed Views
07 Monday Morning
08 Portable Television
09 Underneath The Sycamore
10 St Peter’s Cathedral
11 Stay Young, Go Dancing